Caribbean Quarterly

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CQ 58, no. 1 (March 2012)

Date Published: 
March, 2012

ARTIST'S VOICE

  • Re-Identified – Oneil Lawrence

FEATURE ARTICLES

  • 'Throw Word': Grafitti, Space and Power in Kingston, Jamaica – Ricke Jaffe, Kevon Rhiney, and Cavell Francis
  • Acts of Possession and Symbolic Decolonisation in Trinidad and Tobago – David V. Trotman
  • The Monad: The Hegemony of Personality: Eric Williams and the Post-Independence Imagination of Trinidad, 1956-1981 – Raymond Ramcharitar
  • History at the Personal Level: Tesserae in the Mosaic of Caribbean Social History – Margaret Rouse-Jones
  • Cuba from Due South: An Anglo-Caribbean Perspective – Brian Meeks

POEMS – Fragano Ledgister

  • “Blue Mahoe (in Memory of John Maxwell)”
  • “Where the Cord Lies”
  • “Now Back Home”
  • “Liberation”
  • “Scene from the Stage”

BOOK REVIEW ESSAY

  • Understanding Pan-Africanism – Simon A. Clark

BOOK REVIEWS

  • Matthew J. Smith, Red and Black in Haiti: Radicalism, Conflict and Political Change, 1934-1957 – Marie-José Nzengou-Tayo
  • Derek Walcott, White Egrets – Edward Baugh
  • Anne Spry Rush, Bonds of Empire: West Indians and Britishness from Victoria to Decolonization – Bridget Brereton
  • Kenneth G. Kelly and Meredith D. Hardy, French Colonial Archaeology in the Southeast and Caribbean – Stephan Lenik
  • Ann Marie Stock, On Location in Cuba: Street Filmmaking During Times of Transition – Ian Craig
  • Ian Thomson, The Dead Yard: A Story of Modern Jamaica – Ian Bethell Bennett